Aye.

STAGING: My interpretation of this scene reflects the values of Jacobean Society. I would choose to present my interpretation on stage in the reconstructed Globe theatre and using similar techniques for drama as Shakespeare did in the early 1600s. The most significant character of this scene is Lear. By centering him in the middle of the stage, all focus is set to this character. Additionally, I would place Cordelia lying down in front of him and the audience to allow the value of love to be emphasised. Kent, Lear’s faithful servant would be standing beside his master and kneeling when he tries to point out to Lear who he really is. Albany and Edgar, both who are armed from battle, would be standing on the opposite side of Lear. Positioned together, they represent the new absolute power and authority that is to take over the Kingdom. In the background, Gonerill’s and Regan’s bodies are lying on the floor. By having them almost off stage, this represents the non-existent love Lear feels for his other daughters. A group of officers and the messenger would also be standing in the left hand corner of the stage, symbolising the fact that the play has been about power, authority and absolute rule.

LIGHTING: Lighting was not used in Shakespearean theatre (apart from candles) and therefore I would chose not to use it in this scene. Natural light would be let in through the open roof of the theatre. By not using artificial lighting, some darkness will be presented because the King is dying and is mourning the loss of Cordelia. This highlights the play as one about absolute power and love and the significance of combining the two.

PROPS: The only props used in this scene would be the blanket covering the faces of Gonerill and Regan and the armour/weapons carried by the soldiers, Albany and Edgar. No other props would be used so as to place emphasis only the characters, especially Lear who