Fountains In The Rain

AKIO’S JOURNEY

The short story of “Fountains in the Rain” written by Yukio Mishima is about a young boy who is trying to break up with his girlfriend. In the story the young couple finds them selves by a fountain, a key place of setting. Fountain shows a lot of importance in the story. вЂ?вЂ?Mishima Yukio is arguably still the most famous writer modern Japan has producedвЂ™Ð²Ð‚™ (Enotes 1). Akio, the main character, starts off the story carrying his girlfriend through the rain in a sack. Akio is the protagonist of the story finds him self in a bit of a predicament towards the end the story but the fountain fixes every thing. “He has contrived a plan much like an engineer might plot the dimensions of a proposed building” (Hart 1). There will be several things that are going to be brought in this paper. In “Fountain in the Rain”, Yukio Mishima uses Characterization to help define and illustrates the theme of manhood throughout the short story helping with the symbolism as well. The manhood in it, is a reoccurring theme through out. The way it will be shown is through the actions of the characters, and symbolism of the surroundings.

The first element explored is the theme of manhood the most important element during the whole story. Manhood is brought up because Akio is trying for his own passage into this important phase in his life. Akio feels if he breaks up with this girl

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he could enter that phase. Breaking up is the one way Akio completes his passage into manhood. “After months of faking a relationship with this woman, faking an emotional

connection with her; Akio explains that this is reality” (Hart 2). This shows clearly how much he wanted to become a man. It also can be shown in the short story that he has become a man; at least he thinks he has. “And the tearful face of the woman now in front of him вЂ" this is reality! A genuine forsaken woman вЂ" forsaken by himself, Akio!”(Mishima 2). Akio is so happy that he has done but at what price. “There is a major flaw in Akios calculations, a blind spot brought on his own obsession” (Hart 1). She denied everything, and doing so his journey is crushed by the obsession. “The real story lies somewhere underneath Akio’s obsession” (Hart 1). That is very well said she is saying that Akio is obsessed with being a man, which creates the reason he wants to break up with Masako, the girlfriend, which creates Yukio Mishima’s story. “The first time he had broken it off with a woman! It was something he long dreamed of; it had last become reality” (Mishima 3). He is obsessed and the author does an amazing job of showing it. Although it can be seen that Akio is strong about what he has done, he does not feel the same way towards the end of the story. “He stammers a bit and repeats his famous line, but he says them with a weakened sentiments” (Hart 4). It is found that there are probably hidden feelings from Akio about manhood and yet it is not seen its there. It is like Akio is crying to but these tears aren’t shown like Masakos these are theoretical tears. Akio’s reaction from Masako’s reaction to the break up led him to cry in his way. “Angry, the boy gave in to a simple desire to hurt. Nothing would satisfy him now till he

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had got Masako thoroughly soakedвЂ¦Ð²Ð‚Ñœ (Mishima 3). Akio shows his anger for the first showing that he is weak on the inside. Also in denial he would try to stay away from her

cause he did not want to think about it. “When accidentally bumps into her under the umbrella, Masako’s raincoat has the feel of “a reptile”. These are the ways that Akio keeps his distance from Masako, turning her into some inanimate object or, at best turning her into a cold-blooded snake” (Hart 2). He feels if he thinks that is the only way to picture as.

There are more essentials in this story like the symbolism. The second element is very important and Yukio Mishima used it well. These symbols are placed very well through out. One of the major symbols is the fountain which is where the story takes place most of the time. It is symbolic to the characters and on how they feel. .“…that the couple appears to be enclosed in perfect silence. The water at the top of the fountain isвЂ¦Ð²Ð‚Ñœ (Hart 4). This says that the fountain brings out the characters as they just stare at the top of the fountain in complete silence not saying one word to each other. “The water near the summit, shadowed by the clouds that were visible through it, was gray with an admixture of chalky white, almost too powdery-looking for real waterвЂ¦Ð²Ð‚Ñœ (Mishima 4). This is a symbol on how the characters feel on the inside as they both blankly stare at the top of the fountain. “And coincidentally, it is at this moment in the story that Akio sees the color red, again” (Hart 3) Akio sees many colors and the colors come in at the time he starts to feel something new or different. “The rain looks like the fine white dew in

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Masako’s hair” (Hart 3). This symbolizes the point in the story where Akio’s look on things are different then he imagined they would be (Hart 3). This happens all the time

during the story; every time he has a new way of feeling for a different color. And one more object from the story that is key is the “curved glass tube” (Mishima 3). “Something is changing inside of Akio, but he is not sure what it is” (Hart 4). This a major turning point and Yukio Mishima shows through symbolic writing skills. Masako shows a symbol of her own. The tears she cries are a symbol of how she feels; the way she cries is so blank it is unemotional tears like she does not care. “Having spoken his solitary line, he waits for a pre-calculated response: an affirmation from Masako that she heard him. So far, so good Masako delivers her reactionвЂ¦Ð²Ð‚Ñœ (Hart 1). Masako is showing tears but nothing is said or to be led up to it. “There was no business of breaking into sobs; nor did she bawl her head off: the tears simply gushed, expressing nothing, and with most impressive force” (Mishima 1). Akio