Mozart: The Real Man

Wolfgang Amadeus Mozart (IPA: [ˈvɔlfgaŋ amaˈdeus ˈmoːtsart], baptized Joannes Chrysostomus Wolfgangus Theophilus Mozart) (January 27, 1756 - December 5, 1791) was a prolific and influential composer of the Classical era. His output of over 600 compositions includes works widely acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. Mozart is among the most enduringly popular of classical composers and many of his works are part of the standard concert repertoire. During Mozart's formative years, his family made several European journeys in which the children were exhibited as child prodigies. These began with an exhibition in 1762 at the Court of the Elector of Bavaria in Munich, then in the same year at the Imperial Court in Vienna and Prague. A long concert tour spanning three and a half years followed, taking the family to the courts of Munich, Mannheim, Paris, London, The Hague, again to Paris, and back home via ZÑŒrich, Donaueschingen, and Munich. During this trip Mozart met a great number of musicians and acquainted himself with the works of other composers. A particularly important influence was Johann Christian Bach, who met Mozart in London in 1764-65. Bach's work is often taken to be an inspiration for Mozart's music. The family again went to Vienna in late 1767 and remained there until December 1768. On this trip Mozart contracted smallpox, and his healing was believed by Leopold as proof of God's plans concerning the child.

After one year in Salzburg, three trips to Italy followed, this time with just Leopold, leaving Wolfgang's mother and sister at home: from December 1769 to March 1771, from August to December 1771, and from October 1772 to March 1773. Mozart was commissioned to compose three operas: Mitridate Rи di Ponto (1770), Ascanio in Alba (1771), and Lucio Silla (1772), all three of which were performed in Milan. During the first of these trips, Mozart met Andrea Luchesi in Venice and G.B. Martini in Bologna, and was accepted as a member of the famous Accademia Filarmonica. A highlight of the Italian journey, now an almost legendary tale, occurred when he heard Gregorio Allegri's Miserere once in performance in the Sistine Chapel then wrote it out in its entirety from memory, only returning to correct minor errors; thus producing the first illegal copy of this closely-guarded property of the Vatican.[3]

Back home in Salzburg, Mozart worked in the court musical establishment of the ruler, Prince-Archbishop Colloredo. The court was a minor one, salaries were low, and Mozart was not happy with his job.

Mozart fell ill while in Prague, for the Sept. 6 premiere of his opera La clemenza di Tito, written 1791 on commission for the coronation festivities of the Emperor.[30]. He was able to continue his professional functions for some time, for instance conducting the premiere of The Magic Flute on September 30. The illness intensified on November 20, at which point Mozart became bedridden, suffering from swelling, pain, and vomiting.

The cause of Mozart's illness and death cannot be determined with certainty. His death record listed "hitziges Frieselfieber" ("severe miliary fever," referring to a rash that looks like millet-seeds), a description that does not suffice to identify the cause as it would be diagnosed in modern medicine. Dozens of theories have been proposed, including trichinosis, influenza, mercury poisoning, and a rare kidney ailment. The practice of bleeding medical patients, common at that time, is also cited as a contributing cause. However, the most widely accepted version is that he died of acute rheumatic fever; he had had three or even four known attacks of it since his childhood, and this particular disease has a tendency to recur, leaving increasingly serious consequences each time, such as rampant infection and heart valve damage.[31]

Mozart died at approximately 1 a.m. on December 5, 1791 in Vienna. With the onset of his illness, he had largely ceased work on his final composition, the Requiem.