Scar

f one looks underneath the profanity and perceived brutal violence of Scarface, they will find an admirable all-round motion picture. However, for those who have an open mind and are unwilling to dig deep, Scarface is still one cool film.

Antonio 'Tony' Montana (Al Pacino) has just arrived from Cuba along with his friend Manolo Ray (Steven Bauer) and about 125 000 other Cubans. It seems Fidel Castro has opened a Cuban port allowing Cubans to go to the United States. Unbeknownst to the U.S. though, Castro has secretly cleared his jails and included prisoners with the refugees (guess what group Tony and Manolo belong to, *wink wink*).

Tony is an ambitious person; he wants the world. He always says what is on his mind and does not let people take advantage of him. His attitude eventually lands him a job with Drug Lord Frank Lopez (Robert Loggia). Lopez immediately takes a liking to Tony, who takes a liking to Lopez's trophy girlfriend Elvira (Michelle Pfeiffer). Lopez is not greedy; he is happy with the state of his business, but less happy with Elvira's cocaine addiction.

As Scarface progresses, it details Tony's rise in the drug business as well as his relationships with his partner Manolo, his sister Gina (Mary Elizabeth Mastrantonio) -of whom he is overprotective- and Elvira.

Scarface is loosely based on the original 1932 Scarface (directed by Howard Hawks and based on real life gangster Al Capone). The talented Brian De Palma (Carrie, 1976) directs the Ð''remake', written by another famous director: Oliver Stone (Midnight Express, 1978). Stone deserves real credit for his gritty yet accurate depiction of the drug industry. Stone, who was himself struggling with a cocaine addiction at the time, interviewed both Law Enforcement officials and drug dealers before writing his script. The lack of positive characters and an unconventional ending is also praiseworthy since it makes this