Aaron Copeland
Essay by 24 • October 6, 2010 • 905 Words (4 Pages) • 2,503 Views
Melinda Davidson
Period 6
Aaron Copland (November 14 ) was an American composer of modern tonal music as well as film music. Copland's music achieved a difficult balance between simple and effective composition. His often slow harmonies were near motionless recalling the vast American landscape. He incorporated percussive orchestration For the use of the term "orchestration" in computer science, see orchestration (computers)
Outside of composing, Copland often served as a teacher and lecturer. During his career
he also wrote books, articles and served as a conductor. Copland born in Brooklyn, New York
He spent his childhood living above his parents' Brooklyn shop. Although his parents never encouraged or directly exposed him to music, at age fifteen he had already taken an interest in the subject and aspired to be a composer. His music education included time with Leopold Wolfsohn and Rubin Goldmark Rubin Goldmark (August 15, 1872 (New York City) - March 6, 1936 (New York City)) was an American composer, pianist, and educator. He studied composition with Robert Fuchs at the Vienna Conservatory, and later with Antonin Dvorak at the National Conservatory in New York. He taught composition at the National Conservatory and at the College Conservatory in Colorado, and spent the last twelve
A symphony is an extended piece of music for orchestra, especially one in the form of a sonata. The word symphony is derived from the Greek syn (together) and phone (sounding), by way of the Latin symphonia. The term was used by the Greeks, firstly to denote the general conception of concord, both between successive sounds
Other major works of his first (austere) period include the Short Symphony (1933 Centuries: 19th century - 20th century - 21st century
This jazz inspired period was brief, however as his style evolved toward the goal of writing more accessible works.
Many composers rejected the notion of writing music for the elite during the depression, thus the common American folklore served as the basis for his work along with revival hymns, cowboy and folk songs. Copland's second (vernacular) period began around 1936. Perhaps Copland's most famous work, Fanfare for the Common Man
Aaron Copland (November 14, 1900 - December 2, 1990) was an American composer of modern tonal music as well as film music. Copland's music achieved a difficult balance between simple and effective composition. His often slow harmonies were near motionless recalling the vast American landscape. He incorporated percussive orchestration, changing meter, polyrhythms, polychords and tone rows. Outside of composing, Copland often served as a teacher and lecturer. During his career
he also wrote books, articles and served as a conductor, scored for brass
The fanfare A fanfare is a short piece of music played by trumpets and other brass instruments, frequently accompanied by percussion, usually for ceremonial purposes. The term is also used symbolically, for instance of occasions for which there is much publicity, even when no music is involved.
A fanfare also is a typical Dutch Orchestra, with trumpets, flugelhorns, French horns, tubas, saxophones and percussion. The Dutch amateur fanfareorchestras are famous for their high standard of quality. For example Fanfare De Eendracht from Den Ilp - the Netherlands.
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